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06 Jan TECH: Fincher and Benjamin Button Go Digital

Benjamin Button, a $150 million dollar production, was post-produced almost entirely within Fincher’s offices in Hollywood, using a completely tapeless digital HD workflow from camera to final output. Whether or not you liked Benjamin Button, the special effects are otherworldly. Despite the exorbitant budget, the post team used final cut pro. Read the full story at apple....

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14 Dec BOOK REVIEW: Hey, That’s My Music!

For a Song: How to Get the Music You Want Hey, That’s My Music! Music Supervision, Licensing, and Content Acquisition I recently read an article about Elmer Bernstein. In it he discussed writing the music for Animal House. He was confused about how to handle it, so he queried director John Landis, who told him to treat it as if the film...

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14 Dec FInally!! Rumur Has It!

About 4 years ago, as filmmakers constantly buffeted about by the vagaries of distribution, we decided to start a distribution company to take matters into our own hands. We knew that there were literally hundreds of great films being made each year that weren't finding viable distribution. We had self distributed before and decided to make it official by taking...

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